Good news for those Bad Boys: audiences are still ride or die for the exploits of Mike and Marcus. That’s reflected in the opening weekend box office figures for the buddy-action franchise’s fourth instalment, Bad Boys: Ride Or Die, which saw Will Smith and Martin Lawrence draw in an impressive haul – earning over $100 million worldwide. In a stuttering summer, with major movies like Furiosa and The Fall Guy underperforming, that’s a significant success; particularly considering Bad Boys doesn’t sit on the CGI-heavy mega-spectacle end of the blockbuster spectrum.
Bad Boys: Ride Or Die earned $56 million at the US box office, and added $48 million from across the rest of the world, all adding up to an opening weekend of $104 million. That’s significantly higher than the opening haul for The Fall Guy (around $65 million), and Furiosa (roughly $59 million). The film is directed by Adil & Bilall – who...
Bad Boys: Ride Or Die earned $56 million at the US box office, and added $48 million from across the rest of the world, all adding up to an opening weekend of $104 million. That’s significantly higher than the opening haul for The Fall Guy (around $65 million), and Furiosa (roughly $59 million). The film is directed by Adil & Bilall – who...
- 6/10/2024
- by Ben Travis
- Empire - Movies
Worldwide box office June 7-9 Rank Film (distributor)3-day (world)Cume (world)3-day (int’l)3-day (int’l)Territories 1. Bad Boys: Ride Or Die (Sony) $104.6m $104.6m $48.6m $48.6m 61 2. The Garfield Movie (Sony) $25.3m $192.7m $15.3m $124.1m 62 3. Furiosa: A Mad Max Saga (Warner Bros) $17.9m $144.4m $13.7m $85.7m 79 4. If (Paramount) $14.2m $160.7m $6.2m $67.2m 66 5. Kingdom Of The Planet Of The Apes (Disney) $12.3m $359.7m $6.9m $210m 53 6. The Watchers (Warner Bros) $11.7m $11.7m $4.7m $4.7m 66 7. Be My Friend (various) $7.7m $9.8m $7.7m $9.8m 1 8. Walk The Line (various) $7.5m $10.6m $7.5 $10.6m 1 9. Crisis Negotiators (various) $5.5m $9.2m $5.5m $9.2m 2 10. A Little Something Extra...
- 6/10/2024
- ScreenDaily
Warner Bros.’ Furiosa: A Mad Max Saga and A24’s Civil War both got off to a slow start at China’s box office over the country’s Dragon Boat Festival holiday weekend as a batch of local releases dominated ticket sales. George Miller’s Furiosa, the first movie of the Mad Max saga to be released theatrically in China, opened in sixth place with $3.7 million, while Alex Garland’s Civil War debuted to just $2.3 million, according to data from consultancy Artisan Gateway.
Civil War, which was made for about $50 million, was already an international hit with $69 million in total ticket revenue in North America and $114 million worldwide. But Miller’s Furiosa certainly could have used a bigger boost, as its $144 million at the global box offices is still lagging behind its hefty $168 million production budget. Chinese ticketing app Maoyan forecasts Furiosa to finish its run with about $7.5 million and...
Civil War, which was made for about $50 million, was already an international hit with $69 million in total ticket revenue in North America and $114 million worldwide. But Miller’s Furiosa certainly could have used a bigger boost, as its $144 million at the global box offices is still lagging behind its hefty $168 million production budget. Chinese ticketing app Maoyan forecasts Furiosa to finish its run with about $7.5 million and...
- 6/10/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
“Furiosa: A Mad Max Saga” enjoyed one day at the top of the mainland China box office before being deposed by a crop of local new releases that opened in time for the Dragon Boat holiday. “Civil War” performed even more slowly.
China’s Friday to Sunday weekend box office saw “Be My Friend” score $8.1 million (RMB57.7 million), albeit earned over just two days. That put it ahead of “Walk the Line” in second place with $7.8 million (RMB55.6 million) and “Crisis Negotiators,” with $5.8 million (RMB40.9 million), according to data from consultancy firm Artisan Gateway.
“The Garfield Movie,” which had a two-day run the previous weekend, slipped from second place to fourth. It scored $5.4 million (RMB38.0 million) for a nine-day cumulative of $15.2 million in China. Fifth place over the latest weekend chart was taken by the two-day performance of “Gold or Shit,” with $4.8 million.
“Furiosa” and “Civil War” fell outside of...
China’s Friday to Sunday weekend box office saw “Be My Friend” score $8.1 million (RMB57.7 million), albeit earned over just two days. That put it ahead of “Walk the Line” in second place with $7.8 million (RMB55.6 million) and “Crisis Negotiators,” with $5.8 million (RMB40.9 million), according to data from consultancy firm Artisan Gateway.
“The Garfield Movie,” which had a two-day run the previous weekend, slipped from second place to fourth. It scored $5.4 million (RMB38.0 million) for a nine-day cumulative of $15.2 million in China. Fifth place over the latest weekend chart was taken by the two-day performance of “Gold or Shit,” with $4.8 million.
“Furiosa” and “Civil War” fell outside of...
- 6/10/2024
- by Patrick Frater
- Variety Film + TV
“Bad Boys: Ride or Die,” a hit in multiple other markets worldwide, crashed on its first lap at the South Korean box office. It failed to make even $1 million in on its opening weekend.
Instead, “Wonderland,” a sci-fi fantasy about Artificial Intelligence, took the top spot over the weekend.
Opening in fifth place, “Bad Boys 4” earned just $520,000 or 8% of the Korean market over the Friday to Sunday weekend, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over the five days since its Wednesday theatrical opening, it earned just $803,000.
At this pace, it is unlikely to catch the $3.54 million Korean total of “Bad Boys for Life,” which opened in January 2020.
Competition over the latest weekend was not exactly fierce. Korean-produced “Wonderland” earned a modest $1.66 million in top spot, with a market share of 25%. That was the second weakest first-placed opening of the year.
Instead, “Wonderland,” a sci-fi fantasy about Artificial Intelligence, took the top spot over the weekend.
Opening in fifth place, “Bad Boys 4” earned just $520,000 or 8% of the Korean market over the Friday to Sunday weekend, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over the five days since its Wednesday theatrical opening, it earned just $803,000.
At this pace, it is unlikely to catch the $3.54 million Korean total of “Bad Boys for Life,” which opened in January 2020.
Competition over the latest weekend was not exactly fierce. Korean-produced “Wonderland” earned a modest $1.66 million in top spot, with a market share of 25%. That was the second weakest first-placed opening of the year.
- 6/10/2024
- by Patrick Frater
- Variety Film + TV
Yet again, a new title has claimed the top spot of the box-office weekend as Bad Boys: Ride or Die debuted a whopping $46 million ahead of its nearest competition.
In its first weekend of release, Bad Boys: Ride or Die brought in $56.0 million for Sony Pictures Releasing, easily capturing the number one spot of the box-office weekend top ten. This was enough to relegate last weekend’s top film, The Garfield Movie, to a distant second place where it made $10.0 million for Sony Pictures Releasing, lifting its two-week total to $68.6 million. Meanwhile, Paramount Pictures saw If drop to third place where it took in $8.0 million over the weekend, giving the film a four-week total of $93.5 million. The second debut of the weekend, Warner Bros.’ The Watchers, landed in fourth place where it grossed $7.0 million for the studio. Falling a spot to finish in fifth this weekend was Kingdom of the Planet of the Apes...
In its first weekend of release, Bad Boys: Ride or Die brought in $56.0 million for Sony Pictures Releasing, easily capturing the number one spot of the box-office weekend top ten. This was enough to relegate last weekend’s top film, The Garfield Movie, to a distant second place where it made $10.0 million for Sony Pictures Releasing, lifting its two-week total to $68.6 million. Meanwhile, Paramount Pictures saw If drop to third place where it took in $8.0 million over the weekend, giving the film a four-week total of $93.5 million. The second debut of the weekend, Warner Bros.’ The Watchers, landed in fourth place where it grossed $7.0 million for the studio. Falling a spot to finish in fifth this weekend was Kingdom of the Planet of the Apes...
- 6/10/2024
- by Mike Tyrkus
- CinemaNerdz
“Bad Boys: Ride or Die” gave the box office a desperately needed jolt, but the action-comedy fourquel can’t salvage the summer season by itself.
Although the newest “Bad Boys,” reuniting Will Smith and Martin Lawrence as Miami cops, arrived on the higher end of expectations with $56 million in domestic ticket sales, the year-to-date deficit actually grew more pronounced. Heading into the weekend, ticket sales were 24% behind 2023 and now overall revenues are lagging by 26% according to Comscore.
“Bad Boys 4” isn’t to blame for the decline; analysts believe it’s the lack of enthusiasm for other titles in the marketplace. Four of the other top five releases — Sony’s animated “The Garfield Movie” ($10 million), Paramount’s fantasy comedy “If” ($8 million), the Warner Bros. supernatural thriller and fellow newcomer “The Watchers” ($7.4 million) and Disney and 20th Century’s sequel “Kingdom of the Planet of the Apes” ($5.4 million) — brought in scraps.
Although the newest “Bad Boys,” reuniting Will Smith and Martin Lawrence as Miami cops, arrived on the higher end of expectations with $56 million in domestic ticket sales, the year-to-date deficit actually grew more pronounced. Heading into the weekend, ticket sales were 24% behind 2023 and now overall revenues are lagging by 26% according to Comscore.
“Bad Boys 4” isn’t to blame for the decline; analysts believe it’s the lack of enthusiasm for other titles in the marketplace. Four of the other top five releases — Sony’s animated “The Garfield Movie” ($10 million), Paramount’s fantasy comedy “If” ($8 million), the Warner Bros. supernatural thriller and fellow newcomer “The Watchers” ($7.4 million) and Disney and 20th Century’s sequel “Kingdom of the Planet of the Apes” ($5.4 million) — brought in scraps.
- 6/9/2024
- by Rebecca Rubin
- Variety Film + TV
The highly anticipated Metal Gear Solid Delta: Snake Eater got a jaw-dropping gameplay trailer at the Xbox Games Showcase. This remake of the beloved 2004 classic, Metal Gear Solid 3: Snake Eater, is being developed by Konami using the cutting-edge Unreal Engine 5.
Although Hideo Kojima, the original creator, is not involved in this project, the remake promises to stay true to the original’s storyline and gameplay while delivering an updated visual experience that feels fresh and exciting.
Metal Gear Solid 3 Remade in Unreal Engine 5
The new trailer showcased during the showcase was pretty impressive. It revealed more of the stunningly detailed environments, from the dense jungle to murky swamps, all enhanced by the capabilities of Unreal Engine 5. Fans were treated to familiar scenes with a new level of realism including detailed mud textures, ambient lighting, and vibrant wildlife.
The gameplay footage started with the opening sequence of the game with Major Zero.
Although Hideo Kojima, the original creator, is not involved in this project, the remake promises to stay true to the original’s storyline and gameplay while delivering an updated visual experience that feels fresh and exciting.
Metal Gear Solid 3 Remade in Unreal Engine 5
The new trailer showcased during the showcase was pretty impressive. It revealed more of the stunningly detailed environments, from the dense jungle to murky swamps, all enhanced by the capabilities of Unreal Engine 5. Fans were treated to familiar scenes with a new level of realism including detailed mud textures, ambient lighting, and vibrant wildlife.
The gameplay footage started with the opening sequence of the game with Major Zero.
- 6/9/2024
- by Suhaib Adeel
- FandomWire
In his first major theatrical return since the Oscars slap of 2022, Will Smith demonstrated his enduring star power as Columbia Pictures’ Bad Boys: Ride Or Die opened top of North American box office on an estimated $56m, injecting a much-needed boost to the early summer season.
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
- 6/9/2024
- ScreenDaily
In his first major theatrical return since the Oscars slap of 2022, Will Smith demonstrated his enduring star power as Columbia Pictures’ Bad Boys: Ride Or Die opened top of North American box office on an estimated $56m, injecting a much-needed boost to the early summer season.
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
- 6/9/2024
- ScreenDaily
Will Smith’s latest action film Bad Boys: Ride or Die seems to have hit it big at the box office. The fourth installment of the action film franchise which made Smith a star reportedly had a great opening weekend of $104 million at the international box office. The film also starred Martin Lawrence, Vanessa Hudgens, and Eric Dane in lead roles.
The film is Smith’s first release since 2022’s Emancipation, which was on the heels of the infamous slap at the 2022 Oscars. Will Smith was banned from attending the ceremony and he even resigned from the Academy of Motion Pictures and Sciences. However, Bad Boys: Ride or Die’s box office performance implies that the slap was not as big of a career-ender.
Will Smith Wins Big At The Box Office With Bad Boys: Ride or Die A still from Bad Boys | Credits: Columbia Pictures/Don Simpson/Jerry Bruckheimer...
The film is Smith’s first release since 2022’s Emancipation, which was on the heels of the infamous slap at the 2022 Oscars. Will Smith was banned from attending the ceremony and he even resigned from the Academy of Motion Pictures and Sciences. However, Bad Boys: Ride or Die’s box office performance implies that the slap was not as big of a career-ender.
Will Smith Wins Big At The Box Office With Bad Boys: Ride or Die A still from Bad Boys | Credits: Columbia Pictures/Don Simpson/Jerry Bruckheimer...
- 6/9/2024
- by Nishanth A
- FandomWire
Theaters will live to fight another day. “Bad Boys: Ride or Die” (Sony) provided more than half of the gross this weekend, taking #1 with $56 million. That isn’t a record for the franchise (with previous films at lower ticket prices), but it is a critical victory for the industry at a time it desperately needs them.
Will Smith’s first wide release since his catastrophic Oscar behavior in 2022 represents a triumph for star power, franchise filmmaking, action titles, and titles that draw from minority audiences (over two thirds for the weekend were Black and Latino). Most of all, it was a vital sign that underperformance for highly touted summer films isn’t a given.
In the face of rising industry panic, an under-$40 million opening for “Ride or Die” (its 2020 predecessor opened to $62 million) could have ratched the doom and despair to toxic levels. Instead, it blew past tracking projections...
Will Smith’s first wide release since his catastrophic Oscar behavior in 2022 represents a triumph for star power, franchise filmmaking, action titles, and titles that draw from minority audiences (over two thirds for the weekend were Black and Latino). Most of all, it was a vital sign that underperformance for highly touted summer films isn’t a given.
In the face of rising industry panic, an under-$40 million opening for “Ride or Die” (its 2020 predecessor opened to $62 million) could have ratched the doom and despair to toxic levels. Instead, it blew past tracking projections...
- 6/9/2024
- by Tom Brueggemann
- Indiewire
The first full weekend of June brought a modicum of hope to the summer box office, as Will Smith and Martin Lawrence reunited for the fourth installment of their popular “Bad Boys” action-comedy franchise. Read on for the weekend box office report.
“Bad Boys: Ride or Die” had been planned since 2020’s “Bad Boys for Life” became the highest-grossing blockbuster that year, partially due to Covid shutting down theaters a few weeks after its release. Opening in 3,885 theaters, including IMAX and other premium screens, “Ride or Die” received mixed reviews with 64% on Rotten Tomatoes, although it was expected to be fairly review-proof with the popularity of its two stars. It ended up making $5.88 million in Thursday previews beginning at 3pm, and $21.6 million on Friday, including those previews.
Sony is estimating it to make $56 million in North America its opening weekend, which is less than the previous movie’s $62.5 million holiday opening,...
“Bad Boys: Ride or Die” had been planned since 2020’s “Bad Boys for Life” became the highest-grossing blockbuster that year, partially due to Covid shutting down theaters a few weeks after its release. Opening in 3,885 theaters, including IMAX and other premium screens, “Ride or Die” received mixed reviews with 64% on Rotten Tomatoes, although it was expected to be fairly review-proof with the popularity of its two stars. It ended up making $5.88 million in Thursday previews beginning at 3pm, and $21.6 million on Friday, including those previews.
Sony is estimating it to make $56 million in North America its opening weekend, which is less than the previous movie’s $62.5 million holiday opening,...
- 6/9/2024
- by Edward Douglas
- Gold Derby
Acting is a pretty unusual profession. After all, most people don't push themselves through intense pretend emotions in order to earn a paycheck, which means there are sometimes some interesting impacts in an actor's life. There are all kinds of stories about how particular roles changed actors forever, but what about a film giving a performer their first heartbreak? Plenty of young actors have their first kiss onscreen, but a first heartbreak is rather unique. In Vanity Fair's "Actors on Actors" interview series, "Furiosa" star Anya Taylor-Joy revealed that she suffered her first heartbreak as a result of one of her earliest roles: Thomasin in Robert Eggers' 2015 folk horror film "The Witch."
"The Witch" is a seriously spooky slow burn of a horror movie that really puts Thomasin through the ringer as she contends with the forces of the devil after she and her family are ostracized from their Puritan...
"The Witch" is a seriously spooky slow burn of a horror movie that really puts Thomasin through the ringer as she contends with the forces of the devil after she and her family are ostracized from their Puritan...
- 6/9/2024
- by Danielle Ryan
- Slash Film
In a summer full of movies underperforming at the box office, the old-fashioned star power of Will Smith and Martin Lawrence propelled Bad Boys: Ride or Die to a strong start this weekend with a $56 million opening. That’s at least $10 million more than even the most optimistic box office predictions (we predicted way less) and a strong rebound for Will Smith, whose box office prowess has been in question ever since the infamous Oscar slap seemingly hurt his brand.
Whatever the case, audiences seemed more than willing to embrace the star again. The Bad Boys four-quel posted the franchise’s second-biggest opening, following Bad Boys For Life, which started with $62 million in 2020. While some might view that as a bit of a comedown, let’s not forget that the business in movie theatres was much healthier in the pre-pandemic days. With not much competition for adult audiences until A...
Whatever the case, audiences seemed more than willing to embrace the star again. The Bad Boys four-quel posted the franchise’s second-biggest opening, following Bad Boys For Life, which started with $62 million in 2020. While some might view that as a bit of a comedown, let’s not forget that the business in movie theatres was much healthier in the pre-pandemic days. With not much competition for adult audiences until A...
- 6/9/2024
- by Chris Bumbray
- JoBlo.com
Updated: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.
The Will Smith/Martin Lawrence reteam from directors Adil El Arbi and Bilall Fallah was driven overseas by Europe with $19.3M across the region. It set new regional records for the Bad Boys franchise in Latin America and the Middle East with $10M and $9.5M, respectively.
Of the 60 markets released this session, the UK leads with $4.9M (+ 31% over Furiosa). Mexico was next with $4.2M, followed by Germany at $3.7M (2.5x...
The Will Smith/Martin Lawrence reteam from directors Adil El Arbi and Bilall Fallah was driven overseas by Europe with $19.3M across the region. It set new regional records for the Bad Boys franchise in Latin America and the Middle East with $10M and $9.5M, respectively.
Of the 60 markets released this session, the UK leads with $4.9M (+ 31% over Furiosa). Mexico was next with $4.2M, followed by Germany at $3.7M (2.5x...
- 6/9/2024
- by Nancy Tartaglione
- Deadline Film + TV
“Bad Boys: Ride or Die” surpassed the $100 million mark globally in its first weekend of release.
The fourth installment in Sony’s buddy cop comedy series, starring Will Smith and Martin Lawrence, has collected $104.6 million, including $48.6 million at the international box office. Moviegoers have embraced Smith’s first major film since he assaulted Chris Rock on stage at the 2022 Oscars, though it helped that he returned to theaters with a franchise that has endured over 30 years.
Sony spent $100 million to produce “Bad Boys 4” and many millions more to market the film to global audiences. At this rate, the fourquel is well positioned in its theatrical run. However, it remains to be seen if it’ll match 2020’s “Bad Boys for Life” as the franchise’s highest-grossing installment with $206 million domestically and $426 million globally. Adil El Arbi and Bilall Fallah returned to direct “Ride or Die,” which follows detectives Mike...
The fourth installment in Sony’s buddy cop comedy series, starring Will Smith and Martin Lawrence, has collected $104.6 million, including $48.6 million at the international box office. Moviegoers have embraced Smith’s first major film since he assaulted Chris Rock on stage at the 2022 Oscars, though it helped that he returned to theaters with a franchise that has endured over 30 years.
Sony spent $100 million to produce “Bad Boys 4” and many millions more to market the film to global audiences. At this rate, the fourquel is well positioned in its theatrical run. However, it remains to be seen if it’ll match 2020’s “Bad Boys for Life” as the franchise’s highest-grossing installment with $206 million domestically and $426 million globally. Adil El Arbi and Bilall Fallah returned to direct “Ride or Die,” which follows detectives Mike...
- 6/9/2024
- by Rebecca Rubin
- Variety Film + TV
Will Smith is a veteran actor who has been a part of Hollywood for several decades. With a plethora of movies to his name including Oscar winners and fan favorites, Smith has had quite the experience in the film industry.
Will Smith and Martin Lawrence in Bad Boys: Ride or Die (2024) | Columbia Pictures
Well, the actor is promoting the release of his film Bad Boys: Ride or Die and has been a part of several interviews and promos in the past few days. Talking about the trend of streaming vs. people going to the cinema, Smith made some sage remarks about why people have stopped going to theaters!
Will Smith Reveals Why People Stopped Going To The Cinemas!
It all started in the year 2020 when streaming services rose to fame as people spent time in their homes watching Netflix or Prime Video from the comforts of their seats. After the lockdown was lifted,...
Will Smith and Martin Lawrence in Bad Boys: Ride or Die (2024) | Columbia Pictures
Well, the actor is promoting the release of his film Bad Boys: Ride or Die and has been a part of several interviews and promos in the past few days. Talking about the trend of streaming vs. people going to the cinema, Smith made some sage remarks about why people have stopped going to theaters!
Will Smith Reveals Why People Stopped Going To The Cinemas!
It all started in the year 2020 when streaming services rose to fame as people spent time in their homes watching Netflix or Prime Video from the comforts of their seats. After the lockdown was lifted,...
- 6/9/2024
- by Visarg Acharya
- FandomWire
Sony’s Bad Boys: Ride or Die jolted the battered summer box office back to life with a better-than-expected domestic opening of $56 million and $104.6 million globally.
Moreover, it puts Will Smith on the road to a career comeback two years after the infamous Oscars slap.
Ride or Die, reuniting Smith with Martin Lawrence, is the fourth outing in Sony’s long-running franchise and earned an A- CinemaScore in North America alongside generally positive reviews. Just as promising, 44 percent of the audience was between ages 18 and 34, showing Smith has a following among younger consumers. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening in the $48 million to $50 million range. It’s also the second biggest domestic launch of the season behind Kingdom of the Planet of the Apes,...
Moreover, it puts Will Smith on the road to a career comeback two years after the infamous Oscars slap.
Ride or Die, reuniting Smith with Martin Lawrence, is the fourth outing in Sony’s long-running franchise and earned an A- CinemaScore in North America alongside generally positive reviews. Just as promising, 44 percent of the audience was between ages 18 and 34, showing Smith has a following among younger consumers. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening in the $48 million to $50 million range. It’s also the second biggest domestic launch of the season behind Kingdom of the Planet of the Apes,...
- 6/9/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Turns out, Bad Boys are good for ticket sales.
Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut. The film also opened at the international box office with $48.6 million, bringing its worldwide tally to $104.6 million.
The sequel to 1995’s “Bad Boys,” 2003’s “Bad Boys II” and 2020’s “Bad Boys for Life” is notable as Smith’s first major film to grace the big screen since he assaulted Chris Rock on stage at the 2022 Oscars. So what should Hollywood take away from “Bad Boys” in its fourth go-around? Well, audiences haven’t soured on Smith — though it helps that he returned to theaters in a time-tested and generally well-received franchise.
Although it’s not cementing any franchise records (“Bad Boys for Life” remains the biggest opening of the quartet...
Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut. The film also opened at the international box office with $48.6 million, bringing its worldwide tally to $104.6 million.
The sequel to 1995’s “Bad Boys,” 2003’s “Bad Boys II” and 2020’s “Bad Boys for Life” is notable as Smith’s first major film to grace the big screen since he assaulted Chris Rock on stage at the 2022 Oscars. So what should Hollywood take away from “Bad Boys” in its fourth go-around? Well, audiences haven’t soured on Smith — though it helps that he returned to theaters in a time-tested and generally well-received franchise.
Although it’s not cementing any franchise records (“Bad Boys for Life” remains the biggest opening of the quartet...
- 6/9/2024
- by Rebecca Rubin
- Variety Film + TV
Furiosa: A Mad Max Saga Cast Ranked By Net Worth: From Chris Hemsworth To Anya Taylor Joy Find Out Who Earns How Much! (Photo Credit – Instagram)
George Miller’s latest Mad Max installment, Furiosa: A Mad Max Saga, is running at the theatres led by Chris Hemsworth and Anya Taylor Joy. The film has been underperforming at the box office, and we have to wait and see how much the movie manages to collect during its entire run in cinemas.
In supporting roles, the film features Tom Burke, Lachy Hulme, John Howard, Angus Sampson, Nathan Jones, and Hemsworth’s wife, Elsa Pataky. They have all earned their places in the entertainment industry, but how much fortune have they amassed? Scroll below to find out.
Furiosa: A Mad Max Saga is the fifth film in George Miller’s Mad Max franchise, which is actually a prequel to Mad Max: Fury Road...
George Miller’s latest Mad Max installment, Furiosa: A Mad Max Saga, is running at the theatres led by Chris Hemsworth and Anya Taylor Joy. The film has been underperforming at the box office, and we have to wait and see how much the movie manages to collect during its entire run in cinemas.
In supporting roles, the film features Tom Burke, Lachy Hulme, John Howard, Angus Sampson, Nathan Jones, and Hemsworth’s wife, Elsa Pataky. They have all earned their places in the entertainment industry, but how much fortune have they amassed? Scroll below to find out.
Furiosa: A Mad Max Saga is the fifth film in George Miller’s Mad Max franchise, which is actually a prequel to Mad Max: Fury Road...
- 6/9/2024
- by Esita Mallik
- KoiMoi
Speculations swirled about Mel Gibson’s return to the Mad Max saga, particularly with rumors suggesting Furiosa might entice his comeback, but these hopes were dashed soon after the audience saw the movie.
Despite Mad Max: Fury Road revitalizing the franchise, Gibson wasn’t tapped to reprise his role as Max Rockatansky, instead, Tom Hardy took the reins, while Charlize Theron played Imperator Furiosa.
Charlize Theron and Tom Hardy in Mad Max: Fury Road |WB
Recently, franchise creator George Miller addressed the lingering question of whether Gibson will ever return, offering clarity on the actor’s potential involvement in the future.
Will Mel Gibson Ever Return to Mad Max?
While promoting the film Furiosa: A Mad Max Saga, George Miller addressed the possibility of Mel Gibson’s return as an older version of his character in a Mad Max movie.
SUGGESTEDOne Moment in Furiosa: A Mad Max Saga Pays Homage...
Despite Mad Max: Fury Road revitalizing the franchise, Gibson wasn’t tapped to reprise his role as Max Rockatansky, instead, Tom Hardy took the reins, while Charlize Theron played Imperator Furiosa.
Charlize Theron and Tom Hardy in Mad Max: Fury Road |WB
Recently, franchise creator George Miller addressed the lingering question of whether Gibson will ever return, offering clarity on the actor’s potential involvement in the future.
Will Mel Gibson Ever Return to Mad Max?
While promoting the film Furiosa: A Mad Max Saga, George Miller addressed the possibility of Mel Gibson’s return as an older version of his character in a Mad Max movie.
SUGGESTEDOne Moment in Furiosa: A Mad Max Saga Pays Homage...
- 6/9/2024
- by Sampurna Banerjee
- FandomWire
George Miller’s Furiosa: A Mad Max Saga returned to the wasteland and the grungy dystopian environment fans loved in 2015’s Fury Road. Alyla Browne and Anya Taylor-Joy took over the role of young Furiosa from Charlize Theron and the film explores her origins and adventures over 15-20 years.
Anya Taylor-Joy as Imperator Furiosa in Furiosa: A Mad Max Saga | Warner Bros Pictures
As it is a prequel, many characters from Fury Road return including Immortan Joe and Nathen Jones’ Rictus. One of the scenes involving the latter and young Furiosa was particularly creepy in the film (deliberately). It seems some fans have personally expressed their anger to Jones for doing the scene. He recently addressed how audiences should separate reel characters from real life.
Nathan Jones Addresses People Concerned With One Particular Scene in Furiosa Nathan Jones came back as Rictus Erectus in Furiosa: A Mad Max Saga from...
Anya Taylor-Joy as Imperator Furiosa in Furiosa: A Mad Max Saga | Warner Bros Pictures
As it is a prequel, many characters from Fury Road return including Immortan Joe and Nathen Jones’ Rictus. One of the scenes involving the latter and young Furiosa was particularly creepy in the film (deliberately). It seems some fans have personally expressed their anger to Jones for doing the scene. He recently addressed how audiences should separate reel characters from real life.
Nathan Jones Addresses People Concerned With One Particular Scene in Furiosa Nathan Jones came back as Rictus Erectus in Furiosa: A Mad Max Saga from...
- 6/9/2024
- by Rahul Thokchom
- FandomWire
Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure “Furiosa: A Mad Max Saga,” a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved. Anya Taylor-Joy has won great acclaim from fans of the Mad Max franchise for her portrayal of Furiosa in Furiosa: A Mad Max Saga, the prequel to Mad Max: Fury Road. Taylor-Joy had some big shoes to fill, as Academy Award winner Charlize Theron played the older Furiosa in Fury Road. However, audiences have embraced her take on the iconic role. Taylor-Joy said taking on the role was exciting and that she dedicated herself to training, noting the support of director/writer George Miller. (Click on the media bar below to hear Anya Taylor-Joy) https://www.hollywoodoutbreak.com/wp-content/uploads/2024/06/Anya_Taylor_Joy_Trianing_Furiosa_.mp3 Furiosa: A Mad Max Saga is still playing in theaters.
- 6/8/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
The boys are back in town. Sony and Columbia’s “Bad Boys: Ride or Die” got off to a solid start at the box office with $21.6 million from 3,885 locations across Friday and preview screenings. The movie also gets a revenue boost from Imax and other premium large format auditoriums.
The action sequel, directed by Adil El Arbi and Bilall Fallah, is now looking at an opening of $53 million through the three-day frame in North America. Sony had initially projected a debut of $30 million heading into the weekend, going way below industry estimates of $45 million to $50 million. The studio seems to have made a cautious lowball, considering “The Fall Guy” and “Furiosa: A Mad Max Saga” have given the summer box office a run of high-profile titles debuting below expectations.
“Ride or Die” will likely come in short of the $62.5 million domestic debut earned by Will Smith and Martin Lawrence’s series predecessor,...
The action sequel, directed by Adil El Arbi and Bilall Fallah, is now looking at an opening of $53 million through the three-day frame in North America. Sony had initially projected a debut of $30 million heading into the weekend, going way below industry estimates of $45 million to $50 million. The studio seems to have made a cautious lowball, considering “The Fall Guy” and “Furiosa: A Mad Max Saga” have given the summer box office a run of high-profile titles debuting below expectations.
“Ride or Die” will likely come in short of the $62.5 million domestic debut earned by Will Smith and Martin Lawrence’s series predecessor,...
- 6/8/2024
- by J. Kim Murphy
- Variety Film + TV
Some cliche somewhere said that ‘a picture is worth a thousand words.’ This has proven to be the case for me and especially when it comes to fan art. I have always sought out great fan art and have wanted to share it with as many people as possible. “Awesome Art We’ve Found Around The Net” is the outlet for that passion. In this column, I will showcase the kick-ass artwork of some great artists, with the hopes that these artists get the attention they deserve. That’s the aim. If you have any questions or comments, or even suggestions of art or other great artists, feel free to contact me at any time at theodorebond@joblo.com.
Alien by André Barnett
The Batman Who Laughs by Jonathan Edward Mills
The Birds by Jenny Brewer
Breaking Bad by Nuno Fernandes
Cereal Mascots by Steve Chesworth
A Clockwork Orange by...
Alien by André Barnett
The Batman Who Laughs by Jonathan Edward Mills
The Birds by Jenny Brewer
Breaking Bad by Nuno Fernandes
Cereal Mascots by Steve Chesworth
A Clockwork Orange by...
- 6/8/2024
- by Theodore Bond
- JoBlo.com
Over the last few weeks, box office pundits have debated whether Bad Boys: Ride or Die had the makings of a box office hit. The predictions have been all over the place, with some thinking it would open similarly to The Fall Guy and Furiosa with $30 million, while others thought it could hit $50 million (we predicted $40 million). According to Deadline’s early box office figures, the movie is opening above expectations with an estimated $52 million over the weekend. While that’s about $10 million shy of what Bad Boys For Life made, let’s not forget that the film opened before the pandemic, at a time when movie theatre attendance was a lot healthier than it is now. A $52 million start is a major success for Sony, with it arguably the first major money maker of the summer.
While some might point to Kingdom of the Planet of the Apes as...
While some might point to Kingdom of the Planet of the Apes as...
- 6/8/2024
- by Chris Bumbray
- JoBlo.com
Furiosa: A Mad Max Saga has broken records by debuting as the first overseas feature to top the Japanese box office in 2024, surpassing the opening of Mad Max: Fury Road from 2015. Despite mixed results elsewhere, the film had a standout launch in Japan, earning $2.05 million over its three-day opening weekend and attracting 199,163 admissions from May 31 to June 2. This performance exceeded Mad Max: Fury Road‘s Japanese debut figures, which earned $1.7 million (¥265m) from 175,579 admissions in its first weekend back in June 2015. Anya Taylor-Joy Shines as Furiosa Anya Taylor-Joy, known for her compelling...
- 6/8/2024
- by Steve Delikson
- TVovermind.com
As Dementus put it, hate is “one of the greatest forces of nature.” But he did miss just how closely hope can be tied to it – and George Miller has displayed this in a pretty incredible way, casting a bullied teen in Furiosa: A Mad Max Saga. If you remember, Quaden Bayles appeared in a heartbreaking viral video back in 2020, expressing how hurt and despondent he was over being teased for his dwarfism. But now you can see him as War Pup (master of the Bommy Knocker) in Furiosa, showing that hope should always win out over hate.
Alongside Quaden Bayles, George Miller also cast Sean Millis, a singer with Hunter’s Syndrome, in Furiosa. Millis, like far too many, was also bullied online for his looks, with rather disgusting comments hurled at him over his appearance. Fortunately, people like Miller continued to stand up for him, with even Furiosa...
Alongside Quaden Bayles, George Miller also cast Sean Millis, a singer with Hunter’s Syndrome, in Furiosa. Millis, like far too many, was also bullied online for his looks, with rather disgusting comments hurled at him over his appearance. Fortunately, people like Miller continued to stand up for him, with even Furiosa...
- 6/8/2024
- by Mathew Plale
- JoBlo.com
As the format continues to slowly gain traction – here’s our regularly-updated list of upcoming 4K UK disc releases.
Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.
We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.
Without further ado, here are the titles we know about…
Out now
6th May: Night Swim
10th May: Queen Rock Montreal + Live Aid
13th May: Once Upon A Time In The West...
Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.
We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.
Without further ado, here are the titles we know about…
Out now
6th May: Night Swim
10th May: Queen Rock Montreal + Live Aid
13th May: Once Upon A Time In The West...
- 6/8/2024
- by Simon Brew
- Film Stories
Forty-five years after George Miller first brought audiences into the world of Mad Max, the latest installment, Furiosa: A Mad Max Saga, has set a new milestone for the franchise. Despite its lukewarm box office performance, the film has achieved an impressive 90 percent positive audience score on Rotten Tomatoes. Box Office Performance Causes Concern The film’s financial performance has not been as stellar. Opening with $32 million domestically and $36.5 million overseas during the four-day Memorial Day weekend, it fell short of expectations and raised doubts about the future of another potential Mad Max project, The Wasteland. As George...
- 6/8/2024
- by Steve Delikson
- TVovermind.com
Forty-five years after George Miller introduced audiences to Mad Max, the auteur faces a potential new challenge in his storied career. The revered filmmaker’s Furiosa: A Mad Max Saga debuted with a modest $32 million domestically over the Memorial Day weekend and an additional $36.5 million overseas. This performance well below expectations casts doubt on Mad Max: The Wasteland, another installment Miller has been developing for years. Nico Lathouris and George Miller penned both The Wasteland and Furiosa during the making of the 2015 blockbuster Mad Max: Fury Road. That film, recognized as an awards season juggernaut, snagged six Oscars...
- 6/8/2024
- by Steve Delikson
- TVovermind.com
Mad Max franchise mastermind George Miller recently brought us a new addition to the series with the release of the Mad Max: Fury Road prequel Furiosa (read our review Here) – and while that movie struggles to draw in viewers during its theatrical run, we have decided to take a look back at the first Mad Max sequel, the 1981 classic The Road Warrior (watch it Here). You can hear all about it in the embed above!
Directed by Miller from a screenplay he crafted with Terry Hayes and Brian Hannant, The Road Warrior – which is also known as Mad Max 2 outside of the United States – has the following synopsis: After avenging the death of his wife and young son at the hands of a vicious gang leader, Max drives the post-apocalyptic highways of the Australian outback, fending off attacks from nomadic tribes that prey on outsiders. Falling into an encampment...
Directed by Miller from a screenplay he crafted with Terry Hayes and Brian Hannant, The Road Warrior – which is also known as Mad Max 2 outside of the United States – has the following synopsis: After avenging the death of his wife and young son at the hands of a vicious gang leader, Max drives the post-apocalyptic highways of the Australian outback, fending off attacks from nomadic tribes that prey on outsiders. Falling into an encampment...
- 6/7/2024
- by Cody Hamman
- JoBlo.com
Thanks to photorealistic tech advancements, George Miller evolved his approach to VFX on the “Mad Max” franchise in the nine years since “Fury Road.” Which is why he was much more comfortable using CG in post on “Furiosa: A Mad Max Saga.” His thrilling stunt-driven chase sequences were shot in-camera with as many practical effects as possible, but CG enabled him to achieve greater dynamic energy while enhancing his stylized world-building.
Back from “Fury Road” was production VFX supervisor Andrew Jackson of Dneg, who was eager to play with a bigger digital toolbox. This not only encompassed more realistic fire, water, dust, and smoke but also allowed the VFX team to extend the Wasteland desert landscape and skies and embellish the newly created Gas Town and Bullet Town environments. Plus, they were able to replace or augment the iconic vehicles (especially the multitude of motorcycles) for the action set pieces.
Back from “Fury Road” was production VFX supervisor Andrew Jackson of Dneg, who was eager to play with a bigger digital toolbox. This not only encompassed more realistic fire, water, dust, and smoke but also allowed the VFX team to extend the Wasteland desert landscape and skies and embellish the newly created Gas Town and Bullet Town environments. Plus, they were able to replace or augment the iconic vehicles (especially the multitude of motorcycles) for the action set pieces.
- 6/7/2024
- by Bill Desowitz
- Indiewire
Jude Law is ready to be challenged by screenwriter Justin Kuritzkes.
Law shared in an interview with Vanity Fair that he is set to work with “Challengers” scribe Kuritzkes on a Mike Nichols-inspired film.
“I’m developing a project with Justin Kuritzkes, who just wrote ‘Challengers,'” Law said. “The thing that bonded us was Mike Nichols. I said, ‘I think this is a Mike Nichols film.’ He was like, ‘Well, you would know.’ He felt the same when he went into ‘Challengers.'”
While Law kept the details of their upcoming project under wraps, he did reveal there would be a “sexual-social intercourse” element, much like in tense love triangle dramedy “Challengers” and late filmmaker Nichols’ famed works. Nichols directed Law in the 2004 romantic quadrangle drama “Closer.”
“If you’re true, if you get the tone right, there is something about that kind of intelligence and honest and...
Law shared in an interview with Vanity Fair that he is set to work with “Challengers” scribe Kuritzkes on a Mike Nichols-inspired film.
“I’m developing a project with Justin Kuritzkes, who just wrote ‘Challengers,'” Law said. “The thing that bonded us was Mike Nichols. I said, ‘I think this is a Mike Nichols film.’ He was like, ‘Well, you would know.’ He felt the same when he went into ‘Challengers.'”
While Law kept the details of their upcoming project under wraps, he did reveal there would be a “sexual-social intercourse” element, much like in tense love triangle dramedy “Challengers” and late filmmaker Nichols’ famed works. Nichols directed Law in the 2004 romantic quadrangle drama “Closer.”
“If you’re true, if you get the tone right, there is something about that kind of intelligence and honest and...
- 6/7/2024
- by Samantha Bergeson
- Indiewire
With the underwhelming box office of the latest film in the decade spanning Mad Max franchise, Furiosa, there may be no more of these wonderful, experimental, and auteur-driven action films made. That is a shame. But we can dream. As did this anonymous artist-designer who reimagined what the O.G. vehicle stunt spectacular auteur, Buster Keaton, might have made in the 1920s. Either way, it is pretty clear Silent-Era cinema masterpiece, The General, was a major influence on the Max Max franchise; particularly so as George Miller leaned more and more into vehicular...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/7/2024
- Screen Anarchy
Would-be summer blockbusters have had a bit of a hard time pulling in audiences lately. These movies not only failed to meet expectations but have also started to make cinema observers second guess what the audience and moviegoers crave. Movies like The Fall Guy and Furiosa have had good buzz building before their premieres and both were generally well received by the critics and people who saw it. However, neither made much in the way of money, and even a seemingly sure thing like Garfield didn’t fare much better.
The real test comes with the summer release titles like Deadpool & Wolverine, Inside Out 2 or Despicable Me 4. All of them are movie sequels with pre-established fan bases and past successes. However, Bad Boys: Ride or Die is also somewhat of a litmus test. The franchise has been a big money-maker, and it may give an insight into whether...
The real test comes with the summer release titles like Deadpool & Wolverine, Inside Out 2 or Despicable Me 4. All of them are movie sequels with pre-established fan bases and past successes. However, Bad Boys: Ride or Die is also somewhat of a litmus test. The franchise has been a big money-maker, and it may give an insight into whether...
- 6/7/2024
- by EJ Tangonan
- JoBlo.com
It might take some “Bad Boys” to save this summer’s bad box office start.
Will Smith and Martin Lawrence’s “Bad Boys: Ride or Die” has made $5.875 million in Thursday previews at the box office so far.
Sony and Columbia’s fourth “Bad Boys” movie, and the follow-up to 2020’s surprise hit “Bad Boys for Life,” is expected to open between $45 million and $50 million this weekend. However, Sony has a smaller estimate at $30 million. The more conservative projection could be overly cautious due to the growing number of summer films, such as “Furiosa: A Mad Max Saga,” “If” and “The Fall Guy,” that have failed to connect with theatergoers.
With the summer box office far behind previous years’ grosses, theater owners are hoping for some relief sooner rather than later — and hopefully “Bad Boys: Ride or Die” is their answer. It also marks Smith’s first major film since...
Will Smith and Martin Lawrence’s “Bad Boys: Ride or Die” has made $5.875 million in Thursday previews at the box office so far.
Sony and Columbia’s fourth “Bad Boys” movie, and the follow-up to 2020’s surprise hit “Bad Boys for Life,” is expected to open between $45 million and $50 million this weekend. However, Sony has a smaller estimate at $30 million. The more conservative projection could be overly cautious due to the growing number of summer films, such as “Furiosa: A Mad Max Saga,” “If” and “The Fall Guy,” that have failed to connect with theatergoers.
With the summer box office far behind previous years’ grosses, theater owners are hoping for some relief sooner rather than later — and hopefully “Bad Boys: Ride or Die” is their answer. It also marks Smith’s first major film since...
- 6/7/2024
- by Jordan Moreau
- Variety Film + TV
Sony is rolling out Bad Boys: Ride Or Die at 643 locations to make it the widest release in the UK and Ireland this weekend.
Will Smith and Martin Lawrence reprise their roles as two renegade cops standing in the way of a Miami drugs cartel, with Adil El Arbi and Bilall Fallah directing.
It is the fourth installment in the Bad Boys franchise following the most recent, Bad Boys For Life, opening to £3.8m in January 2020, surpassing the £866,215 opening of 1995’s Bad Boys and the £3.2m of 2003’s Bad Boys II.
The Watched, known outside of UK-Ireland as The Watchers,...
Will Smith and Martin Lawrence reprise their roles as two renegade cops standing in the way of a Miami drugs cartel, with Adil El Arbi and Bilall Fallah directing.
It is the fourth installment in the Bad Boys franchise following the most recent, Bad Boys For Life, opening to £3.8m in January 2020, surpassing the £866,215 opening of 1995’s Bad Boys and the £3.2m of 2003’s Bad Boys II.
The Watched, known outside of UK-Ireland as The Watchers,...
- 6/7/2024
- ScreenDaily
If you were blown away by the trailer for Furiosa: A Mad Max Saga, you’re not alone. The distinctive vehicles featured are a significant part of what makes the Mad Max universe so captivating. Let’s dive into seven of the most outrageous vehicles from this apocalyptic landscape. The Furiosa Bike Chariot The Furiosa bike chariot is no ordinary ride. This beast combines two BMW R18s, creating an impressive and terrifying machine. Laurie Faen worked extensively on this project, ensuring every piece was functional and theatrical. Describing the chariot, Faen mentioned, The radial, along with all the many bikes in the...
- 6/7/2024
- by Steve Delikson
- TVovermind.com
Buckle up because the Summer movie season kicks into high gear with a brand-new installment of a big loud action franchise. This one goes back 29 years, so it’s a few decades behind the recent Furiosa which is the latest entry of a series that’s now 45 years old. Oddly this weekend’s big release marks only four years since the previous, the shortest turn-around time of the four. Yes, this makes for a quartet centered around a buddy-cop duo that’s well into middle age but still embraces a youthful moniker in Bad Boys: Ride Or Die.
As this adventure begins, detectives Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence) are racking up the moving violations as they speed through the sun-baked streets of Miami. But they’re not in pursuit of a “perp”. No, it’s Mike’s wedding day, to his beautiful physical therapist Christine (Melanie Liburd...
As this adventure begins, detectives Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence) are racking up the moving violations as they speed through the sun-baked streets of Miami. But they’re not in pursuit of a “perp”. No, it’s Mike’s wedding day, to his beautiful physical therapist Christine (Melanie Liburd...
- 6/7/2024
- by Jim Batts
- WeAreMovieGeeks.com
With the unofficial beginning of summer — Memorial Day — come and gone, the season has entered full swing. Several of the summer weekends will be crowded at the box office with sometimes three releases competing on similar dates. With action films like Bad Boys: Ride Or Die, A Quiet Place: Day One and Twisters taking us through July, some animated adventures like Inside Out 2 and Despicable Me 4 will provide fun for whole families.
Deadpool 3 will cap off July with a new Marvel installment from Shawn Levy, Hugh Jackman and Ryan Reynolds, making way for more sinister films ahead of fall like M. Night Shyamalan’s Trap and Alien: Romulus. Beetlejuice Beetlejuice deserves an honorable mention although it won’t hit theaters until September to lead into spooky season and October.
Related: Summer Box Office Pines For $3 Billion: ‘Garfield’ Could Scratch ‘Furiosa’, ‘Beetlejuice 2’ Might See Best Opening Just Outside...
Deadpool 3 will cap off July with a new Marvel installment from Shawn Levy, Hugh Jackman and Ryan Reynolds, making way for more sinister films ahead of fall like M. Night Shyamalan’s Trap and Alien: Romulus. Beetlejuice Beetlejuice deserves an honorable mention although it won’t hit theaters until September to lead into spooky season and October.
Related: Summer Box Office Pines For $3 Billion: ‘Garfield’ Could Scratch ‘Furiosa’, ‘Beetlejuice 2’ Might See Best Opening Just Outside...
- 6/7/2024
- by Dessi Gomez
- Deadline Film + TV
When Adam Wingard said he would not return for the follow-up to Godzilla x Kong: New Empire, fans of Legendary‘s latest clash of the titans fell into despair. Wingard brought something special to Godzilla and Kong’s latest city-destroying brawl, and we hoped he’d remain a part of the franchise. Thankfully, Grant Sputore, the director of Hilary Swank’s sci-fi thriller I Am Mother, is stepping up to the plate.
The follow-up to Godzilla x Kong: New Empire should continue the story from Wingard’s latest blockbuster, focusing on Kong and Godzilla’s tag team antics alongside several Titans waiting in the wings. Shang-Chi and the Legend of the Ten Rings and Spider-Man: Across the Spider-Verse writer Dave Callaham will pen the script.
While Sputore is in, Wingard is moving on to direct Onslaught for A24. Wingard directed 2022’s Godzilla vs. Kong and this year’s Godzilla x Kong: New Empire.
The follow-up to Godzilla x Kong: New Empire should continue the story from Wingard’s latest blockbuster, focusing on Kong and Godzilla’s tag team antics alongside several Titans waiting in the wings. Shang-Chi and the Legend of the Ten Rings and Spider-Man: Across the Spider-Verse writer Dave Callaham will pen the script.
While Sputore is in, Wingard is moving on to direct Onslaught for A24. Wingard directed 2022’s Godzilla vs. Kong and this year’s Godzilla x Kong: New Empire.
- 6/6/2024
- by Steve Seigh
- JoBlo.com
As summer kicks off with the much-anticipated blockbuster season, it seems the industry might be in for a rough ride. This year has witnessed a less than stellar start, highlighted by the underwhelming performance of Furiosa: A Mad Max Saga. For a film residing in a universe as iconic as Mad Max, the numbers have certainly been disappointing. Struggles at the Box Office During the US Memorial Day holiday, Furiosa managed to top the box office but with an underwhelming $32 million over the four-day period. In stark contrast, The Little Mermaid garnered $118 million during the same weekend last...
- 6/6/2024
- by Steve Delikson
- TVovermind.com
George Miller, renowned for bringing the post-apocalyptic world of Mad Max: Fury Road to life, is back with Furiosa. This prequel explores the origins of Imperator Furiosa, famously portrayed by Charlize Theron. In the new film, Anya Taylor-Joy steps into the role, a decision rooted in Miller’s choice to avoid de-aging technology. Chris Hemsworth plays the warlord in the upcoming Furiosa film. While fans eagerly anticipate Taylor-Joy’s performance, many are excited about a rumored Mad Max cameo. This brief appearance by Max Rockatansky heightens expectations for those hoping to see Tom Hardy reprising his role. Nonetheless, Furiosa stands strong as...
- 6/6/2024
- by Steve Delikson
- TVovermind.com
It’s a sad day for moviegoers living in Texas and Minnesota as Alamo Drafthouse closes its doors in six locations after the franchise filed for bankruptcy. The closures include five locations in the Dallas-Fort Worth area and a Minnesota theater in Woodbury. The closures are already in effect, with termination of employment contracts to follow immediately. A message to employees is circulating online mentioning the company losing $1 million in 2023. The reality is that Alamo Drafthouse has been fighting an uphill battle since the pandemic. People go to the theater less than they used to, not even for quality cinema experiences like The Fall Guy and Furiosa: A Mad Max Saga.
Beyond the pandemic, Alamo Drafthouse suffered a tremendous loss during the WGA and SAG-AFTRA strikes, when new films were slow to open and streaming services pumped out movies like they were going out of style. Many people became comfortable...
Beyond the pandemic, Alamo Drafthouse suffered a tremendous loss during the WGA and SAG-AFTRA strikes, when new films were slow to open and streaming services pumped out movies like they were going out of style. Many people became comfortable...
- 6/6/2024
- by Steve Seigh
- JoBlo.com
There is a new Hunger Games movie in the works, and this time it will be a prequel about Haymitch Abernathy, the District 12 tribute and champion played by Woody Harrelson in the original cycle of films in the 2010s. The news came simultaneously Thursday with the announcement of the book upon which the film will be based: Suzanne Collins’ forthcoming The Hunger Games: Sunrise on the Reaping.
According to the press release, the new Young Adult novel and film will follow the events of the 50th Hunger Games, aka the Second Quarter Quell, when Haymitch became an unwilling tribute as a teenager. Presumably the experiences he endured both in the arena and the Capitol will turn him into the bitter middle-aged drunkard who Katniss Everdeen meets and redeems over the course of the original The Hunger Games story, which is set 24 years after the events of Sunrise on the Reaping.
According to the press release, the new Young Adult novel and film will follow the events of the 50th Hunger Games, aka the Second Quarter Quell, when Haymitch became an unwilling tribute as a teenager. Presumably the experiences he endured both in the arena and the Capitol will turn him into the bitter middle-aged drunkard who Katniss Everdeen meets and redeems over the course of the original The Hunger Games story, which is set 24 years after the events of Sunrise on the Reaping.
- 6/6/2024
- by David Crow
- Den of Geek
Six Alamo Drafthouse franchised locations are closing abruptly after their owner filed for bankruptcy.
The venues include five Texas locations in the Dallas-Fort Worth area, as well as a Minnesota venue in Woodbury. The theaters are operated by Two is One, One is None, LLC, which is filing for Chapter 7. The closure is effective immediately and staff has been informed that their employment has been terminated. In a message from the franchisee to employees that was circulating on social media, the owners said they lost “over $1 million” in 2023. The Texas theaters are located in Richardson, Las Colinas, Lake Highlands, Dallas, and Denton.
The closures come as the summer box office is suffering a steep decline, with major films such as “The Fall Guy” and “Furiosa” failing to connect with audiences. Hollywood has also struggled to release as many films theatrically, after enduring production shutdowns during Covid and the 2023 actors and writers strikes.
The venues include five Texas locations in the Dallas-Fort Worth area, as well as a Minnesota venue in Woodbury. The theaters are operated by Two is One, One is None, LLC, which is filing for Chapter 7. The closure is effective immediately and staff has been informed that their employment has been terminated. In a message from the franchisee to employees that was circulating on social media, the owners said they lost “over $1 million” in 2023. The Texas theaters are located in Richardson, Las Colinas, Lake Highlands, Dallas, and Denton.
The closures come as the summer box office is suffering a steep decline, with major films such as “The Fall Guy” and “Furiosa” failing to connect with audiences. Hollywood has also struggled to release as many films theatrically, after enduring production shutdowns during Covid and the 2023 actors and writers strikes.
- 6/6/2024
- by Brent Lang
- Variety Film + TV
Any filmmaker worth their salt will acknowledge that the path to greatness comes from seeking inspiration from any source big or small, that could have a deep influence in their process of creating art. Australian director George Miller who has inspired many people through his iconic Mad Max franchise, has also found magic in various places.
Tom Hardy in Mad Max: Fury Road (image credit: Warner Brothers)
Miller expertly rebooted his famous action series in 2015 with Mad Max: Fury Road starring Tom Hardy and Charlize Theron that went on to become a blockbuster. While talking about different aspects of the film, the director revealed a 40s classic film with a controversial history that served as inspiration for one of his characters.
An Old Hollywood Film Made George Miller Christen This Mad Max Character
George Miller created the dystopian action series Mad Max back in 1979 with Mel Gibson, which was followed...
Tom Hardy in Mad Max: Fury Road (image credit: Warner Brothers)
Miller expertly rebooted his famous action series in 2015 with Mad Max: Fury Road starring Tom Hardy and Charlize Theron that went on to become a blockbuster. While talking about different aspects of the film, the director revealed a 40s classic film with a controversial history that served as inspiration for one of his characters.
An Old Hollywood Film Made George Miller Christen This Mad Max Character
George Miller created the dystopian action series Mad Max back in 1979 with Mel Gibson, which was followed...
- 6/6/2024
- by Sharanya Sankar
- FandomWire
After several weeks of disappointing openings, Hollywood has its fingers crossed that the old-school star power of Will Smith returning to the Bad Boys franchise will give moviegoers a push to return to theaters. Indeed, the well-reviewed four-fuel has the benefit of opening hot on the heels of the franchise’s biggest entry to date, Bad Boys For Life, which made over $200 million domestically. It opened to a gargantuan $62 million, and while Bad Boys: Ride or Die seems unlikely to make that much money, it should still do decently.
I’m predicting an opening in the $40 million range, which would be an ok number for a franchise that, previously, was curiously light at the box office. Let’s remember that the first movie only actually made $65 million domestically, while the huge-budget sequel, Bad Boys 2, was considered something of a flop in 2003 when it made “only” $138 million, despite opening at...
I’m predicting an opening in the $40 million range, which would be an ok number for a franchise that, previously, was curiously light at the box office. Let’s remember that the first movie only actually made $65 million domestically, while the huge-budget sequel, Bad Boys 2, was considered something of a flop in 2003 when it made “only” $138 million, despite opening at...
- 6/6/2024
- by Chris Bumbray
- JoBlo.com
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