- Born
- Died
- Birth nameRoy Marshall Huggins
- Nickname
- John Thomas James
- Roy Huggins was born on July 18, 1914 in Litelle, Washington, USA. He was a writer and producer, known for The Fugitive (1993), City of Angels (1976) and U.S. Marshals (1998). He was married to Adele Mara and Bonnie Marie Porter. He died on April 3, 2002 in Santa Monica, California, USA.
- SpousesAdele Mara(May 19, 1952 - April 3, 2002) (his death, 3 children)Bonnie Marie Porter(August 28, 1938 - April 8, 1953) (divorced, 2 children)
- Children
- ParentsEdward Francis HugginsMaybelle Therina Crawford
- RelativesDavid Price(Grandchild)
- Denied, until his death, that The Fugitive (1963) was based on the Samuel Sheppard murder case. Instead, he maintained that the series was a modern-day "Les Miserables", with "Dr. Kimble" in the "Jean Valjean" role and "Lt. Gerard" as "Javert".
- The short stories and one novel that he published in the 1940s provided the source material for three of the television series he created: 77 Sunset Strip (1958), The Rockford Files (1974), and City of Angels (1976).
- According to a story that made the rounds in the early '60s, one day Huggins called to his wife, Adele Mara, to come into their bedroom and take his photograph. When she arrived with the camera and asked why, he replied, "Because I just had the greatest idea ever for a TV series [The Fugitive (1963)] and I want to preserve the moment". He framed the photo and hung it over his desk for his entire career.
- Wrote about 350 scripts for television and film.
- Father-in-law of Penelope Ann Miller.
- [addressing the widely held belief that the 1954 murder case involving Dr. Samuel Sheppard was the basis for his TV series The Fugitive (1963) ] I don't care whether people say "The Fugitive" was based on the Sheppard case. The only reason I deny it is that it happens to be the truth.
- [about his working relationship with Baretta (1975) star Robert Blake] It's a love-hate relationship, I love him and he hates me.
- [his guiding principle for Maverick (1957) series writers] In the traditional western, the situation was always serious but never hopeless. In a "Maverick" story, the situation is always hopeless but never serious.
- Hangman's Knot (1952) - $8,000
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